Full ride music scholarships

2019 is well upon us. Here’s a payment schedule for most of the PROs you’re likely to be associated with in the US, and info about how payments are made.

In an interview with The Hollywood Reporter, Ryan Tedder, a songwriter and the frontman of OneRepublic, once said: “With iPhones, nobody has an excuse for writer’s block. If you’re at Whole Foods getting your green tea extract and you have a melody, you just drop it into your voice memo and save it for later.” Going along with Ryan’s idea, if you have stockpiles of melodies and song snippets saved in your phone, go back to listen to them and you might find your “diamond in the rough” idea that will kickstart a new song for you.

Think about how good you sound singing in the shower. That’s because of the reflections on the hard surfaces bouncing around and reverberating your voice so it sounds like there’s an effect on your voice. While you may think the reverb makes you sound like Mariah Carey, these reflections add unwanted noise and clutter when recording your podcast.

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“The Middle”: Maybe that Drake one from before was just messing with my head, but I’m pretty sure this one is in Lydian, too. Either that, or again, there may be “multi-modal” possibilities here. The melody is definitely rocking the G major pentatonic, but on the other hand, the changes return to the C chord on the stronger beats all the time, so there’s that. And the fact that the song ends on a D chord (not G or C) doesn’t give us any tie-breakers. It’s almost like both the G and C tonics just “met” somewhere, like… in the…

With that said, here are seven of my best tips that will help set you up for success every time you sit down to create. And if you’d like additional personalized help, all of our Soundfly Mentors are equipped with time management and coaching training to help you take your project to the next level quicker and make it overall better sounding. Learn more about joining a four-week mentorship session here, and tell us about your personal musical goals here.

Signal phase plays a huge role in the quality of any audio that you handle. Despite that fact, it can manifest only very subtly and be hard to detect. An undetected phase problem will zap the power out of a mix; whereas a mix with well-considered phase relationships is easier to handle and the resulting sound will be stronger, crisper, and will print well on any physical media.

Ready to give it a shot? Tell us about yourself, and we’ll find you the right mentor. If you want to know more, just head over to the Headliners Club info page or feel free get in touch with us via email. Here’s a playlist we’ve created featuring all kinds of music created by our incredible Soundfly Mentor staff!

The second course in the Faders Up series, Advanced Mix Techniques is structured quite differently from the first. Here, you’ll gain insights from renowned sound engineers, but it’ll be much more tightly focused, both on their personal sound-crafting techniques and the tried-and-true techniques that pertain to specific genres (hip-hop, rock, metal, pop, and cinematic orchestral). We even threw in an entire section on the basics of mastering as an added bonus.

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Before you start layering effects on your percussion parts, it’s crucial that you set yourself up to be able to mix each instrument in your kit individually. Sure, Logic offers loads of percussion-based EQ settings designed for whole drum kits, but this doesn’t mean you shouldn’t write your parts in a way that will allow you to isolate them in mixing later.

Speaking of doubling, here’s a great example of bass and vocals finding unison. Carol Kaye was a member of “the Wrecking Crew,” the famous group of LA-based studio musicians who played on numerous hit recordings throughout the ’60s and ’70s. Their cumulative work on several Beach Boys hits, including the legendary Pet Sounds album, is an important chapter in rock history.

A firm fixture in the late 20th century avant-garde scene, Bertoncini’s abilities as a pianist also led him to perform piano repertoires from the Baroque era through the early modernist canon, and even piano and keyboard pieces written by Terry Riley and John Cage. He wrote numerous pieces for solo musicians and ensembles that include a variety of instruments and acoustic environments and treatments, such as Japanese gongs, prepared piano, speakers, mimes, photoelectric motors, sitars, “kinetic shadows” (whatever those are), and — of course — many Aeolian harps. Yeah, he was a weirdo, and an enormous influence on the late 20th century Italian avant-garde.

I would consider the Roland RE-201, also known as the Space Echo, to be a marvel of engineering and musical acumen alike. It’s a perfect example of what I would call a “holy grail piece of equipment;” a piece of equipment that is universally respected and its sound is often cited as the very definition of what it’s trying to achieve.

Using whatever format you want (spreadsheet, notepad, stickies) write down the things you want to get done, say, this month. That way, when you sit down to write songs, record music, email a music industry pro, or whatever, you know exactly what you need to do next. Plus, as you cross things off the list, it’s a little encouragement that you’re making progress.